Starship Troopers was released on Oct 27, Click the download button below to start Starship Troopers Free Download with direct link. It is the full version of the game. You need these programs for the game to run. Always disable your anti virus before extracting the game to prevent it from deleting the crack files. If you don't, you will have to reinstall the game to select it. For Windows 10 Video glitching:Fix: 1 Open the "global. Make sure the word Bug is capitol.

Exlosimuse 2 points. DUC 1 point. DUC 2 points. Biscuit 1 point. GROR 3 points. This game appears to be hard coded with Russian language, why can't it be changed to English? I tried to fix the video issue with the instructions that the "FIX" provide but I can't find the Folder nor the file that is supposed to be in it Help please. Jaxx 0 point. Nova -4 points. Scathebane 2 points. Lucky 1 point. Share your gamer memories, help others to run the game or comment anything you'd like.

If you have trouble to run Starship Troopers Windows , read the abandonware guide first! We may have multiple downloads for few games when different versions are available. Also, we try to upload manuals and extra documentation when possible.

If the manual is missing and you own the original manual, please contact us! Various files to help you run Starship Troopers, apply patches, fixes, maps or miscellaneous utilities. MyAbandonware More than old games to download for free! Browse By Developer Strangelite Limited Perspective 1st-Person.

Download 1. Captures and Snapshots Windows. See older comments Write a comment Share your gamer memories, help others to run the game or comment anything you'd like.

Send comment. Long, long ago, Fentible's personality was a senior partner in a law firm. Amiable, charming and trustworthy, he was perfect material to be copied into the DoorBot - apart from the occasional bouts of forgetfulness and the rather surprising mood swings! When Starlight Travel bought Krage's personality, they couldn't have made a bigger mistake. You're only supposed to have your brain scanned once, but his sneaky real-life counterpart has found a way to do it once a week, so that he can use the money to finance all sorts of dodgy habits.

Krage's idea of heaven would be driving an open-top down an ocean highway - surfboard on the back, BabeBot in the front, six-pack in the cooler, and one of those romantic lime-green sunsets to look forward to! Fortillian's personality has run bars all over the galaxy, but like most members of the Blarghish race he remains stubbornly and romantically Blarghish - one day he's going to return home to Blarghland and buy a little pub out on the stormy West Coast. Most of the time he's charming and funny - the perfect barman.

Catch him in the wrong mood, however, and he'll either talk you into an early grave or beat you to death with sarcasm, satire or just plain insults. But then isn't that what barmen are for? Like thousands of lift operatives the galaxy over, Nobby was once a soldier. He's no longer sure which war he fought in he's seen so many action movies he gets confused , but he knows he did because he came home without an arm.

Nobby's had every illness in the book and is determined to let you know the details. Traveling with Nobby is torture unless you have a deep interest in military history or the secret workings of the body. Normally it takes years to teach prospective desk clerks that unnerving, shriveling "who is this worm that desires to stay in my hotel" expression. Marsinta was born with it. She can hear a mini-bar being raided at a thousand yards. If she caught you at checkout with a complimentary shampoo, you'd be body searched and tortured 'til you admitted all the other offences.

Persuade her that you're actually rather important, however, and she'll purr, go into fawning, ingratiating overload and start mumbling phrases such as: "How may I make your sojourn exquisite? Normally, you get paid when you donate your personality - the 'better' the personality, the more money you get.

When Shorbut offered up his, they looked at it for a couple of minutes then told him not to worry, they'd take it away for free. Shorbut's always worked in muck and he's always worked in the bowels of planets. Being a Succ-U-Bus is a promotion. But it hasn't gone to his head -he hates his work, he hates life, he hates being disturbed.

He does like sleep and chickens, but nobody knows why. I am your greatest enemy and your most passionate lover. I am the slayer of mediocrity and the champion of the great. I am your most strident critic and I smell inferiority at a hundred paces. Be good or be dead; there is no middle ground. I'll admit that I'd been looking forward to Starship Titanic for a long time. I'd followed its development from an early stage, partly because I'm something of a Douglas Adams fan, but mostly because, as a consumer of 'good' adventure games, I'd been looking for something of real quality for longer than I care to mention and this held the most promise.

Am I, then, a happy bunny? A few issues ago, Zork: The Grand Inquisitor gave hope to my blackened heart. Here, finally, was an adventure game that tried to take the essential elements of the classic textadventure and reinvent them for the nineties.

And mostly it worked. Starship Titanic does much the same thing, but thanks to a few bright innovations here and there it manages to take it one step further: we've got a storyline that is ever present but, vitally, never the sole focus of the action a la oh so many interactive movies ; locations that are rich in detail but are not tied down to the current swathe of on-screen action; characters that have a wealth of depth, but which you are left to discover for yourself rather than foisted on you upfront ; and, most importantly of all, puzzles that are very well-designed and perfectly integrated into the game.

That last point is important. Too many adventures of late have taken the route that goes: create the storyline, devise all the characters and locations, then throw in the puzzles in a gratuitous fashion in an effort to make it seem more like a game than an interactive storybook.

Starship Titanic isn't like this - it has puzzles that are born of the inherent storyline. They never feel as though they've been gratuitously added, but instead as though they are the most natural progression of your present situation - a sign of a quality writer at work. Speaking of which, so is this much-heralded unique speech interface: when you meet a character, you type in what you want to say and they respond accordingly. That's 'type'. With your keyboard. In plain English.

It takes a little getting used to, but you soon get into the swing of things, and the sense of freedom this affords you is immeasurable. Plus the characters are so well-written that talking to them rarely becomes a chore. The whole thing is designed as though conversation is a puzzle in itself - you need information from a character, and you have to work out what to say to get it from him.

Another nice touch is the fact that movement between scenes takes place as quick, blurred jumps, instead of painstakingly slow rendered sequences.

Concerns have been expressed about the movement interface, the somewhat arbitrary nature of the directional arrows, but whether or not this bothers you comes down to personal taste. Personally I prefer it to the more annoying degree interface seen in the Zork titles. So there. There are negative points to be made, but to be perfectly honest they're mostly so damned petty that if I actually told you what they were, I'd look bad, instead of the game.

It doesn't really have many actual flaws. Instead you can see elements that, while being perfectly fine as they stand, could possibly be improved further.

The unique dialogue system, for example, occasionally shows its limitations - although this is perfectly understandable given what the developers are trying to do. At least it never breaks the atmosphere, and you still feel as though you can say and ask anything throughout which indeed you can. The next step for the developers is obviously some kind of advanced object interface.

At present it's more or less like everyone else's: you pick up an object and your cursor becomes an iconic representation of it, which you use by clicking on other items. It works fine and, thanks to the quality of the puzzles, you don't really notice its limitations , but it could probably be taken a step further, giving you just as much freedom with objects as the developers have given you with speech.